Story

Hugo Loewy

The merchant Hugo Loewy traded in silk ribbons and lived a middle‑class life in Berlin with his family. As a result of the antisemitic policies of the National Socialists, he first lost his factory, then his flat, and with his deportation his last possessions and his life. The artworks owned by Hugo and Louise Loewy disappeared into private hands.

Hugo Loewy

Born:
20 March 1862 in Czarnikau/Posen (now Czarnków, Poland)
Died:
Murdered on 5 December 1942 in Treblinka, Poland (then under German occupation)
Last place of residence:
Kurfürstendamm 195, Berlin

Silk‑ribbon manufacturer in Kreuzberg

Hugo Loewy was born on 20 March 1862 in Czarnikau in West Prussia (Czarnków). In 1900, he took over a factory producing silk ribbons, located at Kommandantenstraße 77 in Berlin‑Kreuzberg. Among others, he regularly supplied the funeral home Grieneisen with ribbons.

Hugo Loewy and his family lived in a spacious four‑room flat at Pommersche Straße 5. The flat in Berlin‑Wilmersdorf was elegantly furnished. The Loewy family also owned several oil paintings. The Loewy family also owned several oil paintings.

After the death of his wife Louise in 1930 and the departure of the children Käthe and Fritz, Hugo Loewy lived alone in the flat.

Only very few traces of Loewy remain; most of them are found in his OFP file.

After the war, his daughter‑in‑law recalled Loewy’s possessions:

Reverse of a postcard with a company’s pre‑printed sender information, recipient inserted by typewriter, with stamp and postmark
Postcard with the address of Hugo Loewy’s ribbon factory, postmarked 26 May 1928, sent to the firm C. F. Sturm, Hertigswalderstr., Sebnitz. Private collection

He had two or even three valuable complete porcelain services for twenty-four persons […]. In one room there was a genuine very large Persian carpet […]. In another room (the gentleman’s room) he had his library, and very fine leather furniture with a sofa and armchairs, a Persian rug in front of the desk, and another Persian rug.

Sylvia Loewy‑Garai, daughter‑in‑law, WGA proceedings, 6 November 1953. Landesarchiv Berlin, B Rep. 025-08 no. 4119/51, fol. 7
Black‑and‑white photograph of a staircase with doors
Entrance area of the Sammellager Große Hamburger Straße 26. People had to enter through this staircase. bpk Photo Archive; photographer unknown

Disenfranchisement, persecution, deportation

Hugo Loewy first lost his ribbon factory, which was liquidated in 1937, as a result of antisemitic persecution measures. At the end of May 1942, he was forced to leave his flat in Pommersche Straße and move into a partially furnished room in the “Jüdischen Pension” (Jewish boarding house) run by Else Isaac at Kurfürstendamm 195. Else Isaac herself was also persecuted as a Jewish woman. Loewy took several items from his old flat with him to the “Pension” (boarding house), including some artworks.

Loewy lived at Kurfürstendamm for only a few months. On 31 August 1942, he was ordered by the Geheime Staatspolizei Berlin (Berlin Secret State Police, Gestapo) to report to the Sammellager Große Hamburger Straße 26 and complete a Vermögenserklärung (declaration of assets).

The few belongings Loewy had taken with him to the “Pension” were duly recorded in the Vermögenserklärung (declaration of assets) in pencil. The artworks among them he summarised as “7 div. Bilder” (seven misc. pictures).

In the Vermögenserklärung Hugo Loewy left his last trace of life with his signature. In the pre‑printed document, he entered not only his name but also the compulsory name Israel.

Hugo Loewy’s entire property had previously been confiscated on 1 August 1942 on the basis of an Einziehungsverfügung (confiscation order) issued by the authorities.

On 1 September 1942, Loewy received the delivery certificate for the confiscation of his property in the Sammellager in Große Hamburger Straße 26.

  • Pre‑printed document, filled in by hand in pencil

    First page of the Vermögenserklärung (declaration of assets), handwritten by Hugo Loewy. BLHA, Rep. 36A (II) no. 24446, fol. 2

  • Pre‑printed document, filled in by hand in pencil

    Page of the Vermögenserklärung with information on art holdings, handwritten by Hugo Loewy. BLHA, Rep. 36A (II) no. 24446, fol. 7

  • Pre‑printed document, filled in by hand in pencil and signed

    Last page of the Vermögenserklärung (declaration of assets) with Hugo Loewy’s signature. BLHA, Rep. 36A (II) no. 24446, fol. 9v

    Vorgedruckte Karteikarte mit handschriftlichen Eintragungen und Stempeln

    Retrospectively issued transport card to Treblinka, 20 September 1942. Arolsen Archives, Ghetto Theresienstadt index cards, DocID: 5061748

    At the age of eighty, Hugo Loewy was deported to the “Altersghetto” (ghetto for elderly people) Theresienstadt on 2 September 1942. From there, the National Socialists deported him a few days later to the Treblinka extermination camp. He was murdered there – probably immediately upon arrival.

    Landscape‑format pre‑printed table: transport list. Following sequential numbers, the names of the deported persons are typed, together with date of birth, address and occupation
    The name Hugo Loewy under number 54 on the Gestapo list. Transport lists: “Alterstransporte” (transports of elderly people) 51–57 (I/53 – I/59) to Theresienstadt, 718 listed persons, 27 August 1942–5 September 1942, Arolsen Archives, DocID: 127205018

    Family Loewy

    Fritz Loewy had been co‑owner of the ribbon factory with his father, Hugo Loewy, and fled with his wife, Sylvia Loewy‑Garai, to Oslo in August 1940. There, he was arrested by the German occupiers. Sylvia Loewy‑Garai was largely protected by her US citizenship. Although she was briefly imprisoned, she survived the detention and escaped to Sweden. Hugo Loewy’s daughter, Käthe Löwenstein, had also escaped persecution through flight: in 1938 she had married the physician Dr Hans Löwenstein and emigrated with him to the United States.

    Loewy’s art in the files of the OFP

    With the confiscation of Hugo Loewy’s property, the clearing of his flat and, finally, the seizure of the items he had brought with him to the “Pension”, the National Socialist state appropriated all his belongings. On behalf of the OFP, the Vermögensverwertungsstelle (Asset Realisation Office) eventually sold parts of his property for the benefit of the Reich treasury. The remainder was “liquidated” by the Hauptwirtschaftsamt (Main Economic Office).

    Before this “liquidation”, the property was examined and valued. Two different experts were involved:

    1. Shortly after Loewy’s deportation, on 27 October 1942, the senior bailiff Beck examined the contents of Loewy’s room in the “Pension” on behalf of the Vermögensverwertungsstelle and estimated their value. Among the artworks, which according to Loewy’s last statement comprised seven pictures, Beck singled out four works. He valued them at a total of 3,300 reichsmarks:

    Vordruck eines Formulars, handschriftlich mit Bleistift ausgefüllt, mit Stempel

    Valuation list by Senior Bailiff Beck, 2 November 1942. BLHA, Rep. 36A (II) no. 24446, fol. 25

    After the Vermögensverwertungsstelle became aware of valuable artworks, it commissioned an art expert to carry out a further valuation. The appointed expert, Ludwig Schmidt‑Bangel, included only the three most valuable paintings in his assessment and gave slightly different titles.

    Maschinenschriftliches Dokument mit Stempel und Unterschrift

    Expert report by Ludwig Schmidt‑Bangel, 5 December 1942. BLHA, Rep. 36A (II) no. 24446, fol. 27

    Schmidt‑Bangel valued the paintings by Skarbina and Pohle slightly lower than Senior Bailiff Beck. In total, he estimated the value of the paintings at 2,750 reichsmarks and submitted this appraisal to the Vermögensverwertungsstelle.

    All three artists had been academically trained, and their works hang in various museums across Europe.

    Franz Skarbina

    The Berlin painter Franz Skarbina (1849–1910) created numerous Impressionist works depicting scenes of everyday and urban life. With the painting Durchgang in der Fischergasse Berlin, he offered a glimpse into Fischerstraße in the old district of Cölln, where the fishing trade had been based since the Middle Ages.

    Hermann Emil Pohle

    The oeuvre of the painter Hermann Emil Pohle (1863–1914) consists primarily of history painting and landscape painting, a style that likely also characterised the Einsamer Reiter.

    Bertram Priestman

    Bertram Priestman’s (1868–1951) work can likewise be situated within the tradition of Romantic‑Impressionist landscape painting. Comparable paintings by the artist depict the Schottische Landschaft in both Romantic and Flemish traditions.

    Disappeared into private ownership

    On the basis of Schmidt‑Bangel’s appraisal, the Vermögensverwertungsstelle decided to “verwerten” (liquidate) two of the paintings through direct sale. No public auction took place.

    A receipt dated 28 December 1942 documents the sale of the painting by H. E. Pohle – referred to in the appraisals as “‘Einsamer Reiter’ or ‘Reiter in Landschaft’” (solitary rider, rider in landscape) – at the higher valuation of 550 reichsmarks to SS‑Obersturmführer Johannes Schertl. Schertl had already acquired a carpet and an open bookcase from Loewy’s property.

    Johannes Schertl used his privileged position as an SS‑Obersturmführer to profit from Jewish property stolen by the state.

    • Small‑format document, pre‑printed form, filled in by hand in black ink, signed by Johannes Schertl, front
      Receipt for the sale of oil painting no. 37 to Johannes Schertl, SS‑Obersturmführer, 28 December 1942. BLHA, Rep. 36A (II) no. 24446, fol. 30
    • Small‑format document, pre‑printed form, filled in by hand in black ink, signed by Johannes Schertl, reverse
      Receipt for the sale of oil painting no. 37 to Johannes Schertl, SS‑Obersturmführer, 28 December 1942. BLHA, Rep. 36A (II) no. 24446, fol. 30v
      • Small‑format document, pre‑printed form, filled in by hand in black ink, signed by Käthe Malzbender, front
        Receipt for the sale of the oil painting by Bertram Priestman to business consultant Ludwig Malzbender, 17 December 1942. BLHA, Rep. 36A (II) no. 24446, fol. 35
      • Small‑format document, pre‑printed form, filled in by hand in black ink, signed by Käthe Malzbender, reverse
        Receipt for the sale of the oil painting by Bertram Priestman to business consultant Ludwig Malzbender, 17 December 1942. BLHA, Rep. 36A (II) no. 24446, fol. 35v
      • Small‑format document, typewritten, signed by Ludwig Malzbender
        Power of attorney issued by Ludwig Malzbender for his wife, Käthe Malzbender, 15 December 1942. BLHA, Rep. 36A (II) no. 24446, fol. 36

        The painting Schottische Landschaft/Landschaft mit Flusslauf und bewaldetem Ufer (Scottish Landscape/Landscape with River Course and Wooded Bank) was purchased by Käthe Malzbender, the wife of the auditor Ludwig Malzbender. She paid the price of 1,800 reichsmarks using a power of attorney issued to her by her husband. Ludwig Malzbender was in close contact with the Vermögensverwertungsstelle; in its files he appears as an appraiser and administrator of assets.

        Both paintings thus passed directly into the private ownership of individuals who profited directly from the National Socialist system and built their careers within it. After entering their possession, the trail of the paintings disappeared. Whether the works remained with the buyers’ families or were sold on cannot be reconstructed on the basis of the files of the Vermögensverwertungsstelle.

        The National Socialist state obtained a total of 2,350 reichsmarks from the sale of the two paintings by Pohle and Priestman from Loewy’s property.

        Lost trace of the paintings

        There are no further indications in the file regarding the whereabouts of the Rembrandt copy or the painting Durchgang in der Fischergasse Berlin (Passageway in Fischergasse, Berlin) by Franz Skarbina. No sale is documented for either work.

        The two paintings had initially remained in the “Pension” of Else Isaac. After Isaac was also deported, the entire household contents located in her rooms were valued and sold as a single lot by the Hauptwirtschaftsamt (Main Economic Office) on 3 February 1943. According to the inventory, this lot also included paintings. However, no further information is available, and thus the trail of the two works is lost.

        All artworks taken from Hugo Loewy on the basis of National Socialist laws passed into private ownership or into the retail trade via the Reich financial administration. In the course of research into the individual artworks, no current location in a public institution could be identified for any of them. In some cases, the available information is too sparse and insufficiently specific to allow for a clear identification of the works.

        You can find out whether the search for the objects was successful in the chapter on Responsibility.

        Landscape‑format document, handwritten note with signature and date
        Note in Hugo Loewy’s file dated 15 July 1943 stating that his furnishings were valued and sold together with those of Else Isaac. BLHA, Rep. 36A (II) no. 24446, fol. 34v